[1] Ajorlu, Bahram. Saeed, Asma, (2013).Studying the Origin of Scorpion Theme Human in Bronze Age Art of Iranian Plateau. Iranian Studies, Year 3, No. 1: 2-12.
[2] Atac, Mehmet- Ali, (2010). The Mythology of Kingship in Neo-Assyrian Art. New York: Cambridge University Press.
[3] Black,J. Green,A., (1992). “Gods, Demons and Symbols on Ancient Mesopotamia .An Illustrated Dictionary, Texas.
[4] Collins, P., (2006).An Assyrian Style Ivory Plaque from Hasanlu, Iran. Metropolitan Museum Journal, Vol.2: 32- 54.
[5] Collins, P., (2012). Assyrian Ivory Plaque from Hasanlu, a Collection of Articles about Historic-Cultural Objects of Hasanlu, trans. Samad Alion, Ali Sadraei. Ganjine Honar Publications, Tehran.
[6] Cooper, J. C., (2013). A Dictionary of Religious Symbols. Trans. Roqayyeh Behzadi, 1stEdition, Tehran: Scientific Publication.
[7] Dyson, R., (1960). Hasanlu and Early Iran. Archeology. Vol. 13(2): 118-129.
[8] Diaconof, A. M., (1992). History of the Medes.trans, Karim Keshavarz, Tehran: Scientific Cultural Publications.
[9] Frankfort, Henri, (1970). The Art and Architecture of the Ancient Orient, Pelican History of Art, 4th Edition, Penguin.
[10] Fredrick, Grace, (1940). An Assyrian Winged Genius. Bulletin of the Fog Art Museum. Vol. 9: 25.
[11] Green, A., (1983). Neo-Assyrian Apotropaic Figures: Figurines, Rituals and Monumental Art, with Special Reference to the Figurines from the Excavations of the British School of Archaeology in Iraq at Nimrud. Iraq, 45: 87-96.
[12] Gorelick,L., Gwinnett. J., (1978). Ancient Seals and Modern Science, Expedition: 34.
[13] Godard, A., (1950). Le tresor de Ziwiye (Kurdistan). Haarlem.
[14] Hassanzadeh, Y., Mollasalehi. H., (2011). New Evidence pf MannaeanArt: An Assessment of Tree Glazed Tile from Qalaichi (izirtu),Eisenbruns, USA.
[15] HozhabriNobari, Alireza, Afifi, Reyhane, (2009).Study and Description of Glazed Bricks, Discovered from Three Excavation Seasons of Rabat Region, Archaeologist's Message, Islamic Azad University, Abhar Branch, Year 6, No. 11, Spring and Summer 2009: 47-68.
[16] Janbazi, Fatemeh, (2012). Role of Scorpion Theme in the Works of Prehistoric Civilizations of Iran. Jelveye Honar, New Series. No. 7: 15-29.
[17] Levine,Louis, D., (1973).Geographical Studies in Neo-Assyrian Zagros-I, Iran (11): 19.
[18] Lanfranchi, G.B., & Parpoola, (1990).The Correspondence of Sargon II, Part II, Letters from North and Northeastern Provinces, Helsinki: Helsinki University Press.
[19] Lindsay, Jones, (2005). Encyclopedia of Religion, Vol. 9. London: Thomson Gale.
[20] Luckenbill, DD., (1926 & 1927). Ancient Records of Assyrian and Babylonia, Vol. I & II, Chicago: University of Chicago Press.
[21] Madhloom. TA. (1970).The Chronology of Neo- Assyrian Art. London: Athlone Press.
[22] Mallowan. M, Herrmann,G., (1974).Ivories from Nimrud, Aberden.
[23] Marcus Michelle, (1996). Hasanlu Special Studies, Emblems of Identity and Prestige, Seals and Sealing from Hasanlu, Iran. The University of Pennsylvania.
[24] Mitchell, TC. Searight, A., (2008).Catalogue of the Western Asiatic Seals in the British Museum. Boston: Brill.
[25] Mortezayei, Mohammad. SedaghatiZadeh, Neda, (2012). Study of Animal Designs of Ancient Earthenware of Gorgan (Jorjan) in Islamic Era. Archaeological Letter, No. 2, 2ndseries, Spring and Summer 2012: 23-39.
[26] Majid Zadeh, Yusef, (2001).History and Civilization of Mesopotamia, 3rdVolume, Art and Architecture, Tehran: University Publication Center.
[27] MollaZadeh, Kazem, (2004).Archaeology and Historical Geography of Manna, PhD Thesis, Faculty of Humanities, Tarbiat Modares University (unpublished).
[28] MollaZadeh, Kazem, (2009). Kingdom of Manna: A View of Cultural, Social, and Political Structures of Manna, in Accordance with Archaeological and Historical Geographical Knowledge, BastanPazhoohi, new series, 4thYear, No. 7: 45-52.
[29] Mortgot, Antoine, (2006).Art of Ancient Mesopotamia, trans. Zahra Baseti, Mohammad Rahim Sarraf, , Tehran: Samt Publications.
[30] Moocheshi, Amir Saed, Talaei, Hassan, 2010, Assyrian Style Seals and Their Connection with Iran-Mesopotamia Relationship, Archaeologist's Message, Year 7, No. 14: 90-107.
[31] Parrot. A., (1961). Assur. Paris: Gallimard.
[32] Parploa, Simo, (1993). The Assyrian Tree of life: Tracing the origin of Jewish Mariotism and Greek Philosophy. Journals of Near Costume Studies, Vol. 52: 140- 170.
[33] Parploa, Simo, (2004).National and Ethnic Identity in the Neo-Assyrian Empire and Assyrian Identity in Post-Empire Times. Journal of Assyrian Academic Studies, No. 18: 5-49.
[34] Porada, Edith, (1965).The Art of Ancient Iran, New York.
[35] Porada, Edith, (1993).Why Cylinder Seal? Engraved Cylindrical Seal Stones of the Ancient Near East, Fourth to First Millennium B.C, The Art Bulletin.Vol.75, No.4: 563-582.
[36] Razmjo, Shahrokh, (2005).Lost MedienArt, Iranian Antique, Vol. xi.
[37] Sraianidi, V., (2000).Neo-Assyrian parallels in Late Bactrian Glyptic, IranicaAntiqva, Vol. XXXV: 21-31.
[38] Sheikhi, Mahta, (2013). Ziwiye Treasures Objects. First Edition, Tehran: Pazineh Publications.
[39] Teissier, Beatris, (1984). Ancient Near Eastern Cylinder Seal from the Marcopoli Collection .California: University of California.
[40] Talbut Rice, Tamara, (1993).Scythians. Trans. RoqayyeBehzadi, Tehran: Yazdan Publications.
[41] Taheri, Sadreddin, 2012, Lion Archetype in Ancient Iran, Mesopotamia, and Egypt. Fine Arts Publications, Visual Arts, No. 49: 83-139.
[42] Vakili, Mohammadreza, (2016).Symbolic Expression in Ziwiye Art. Tehran: Arman Negar Publication.
[43] Winter, J, Akrin, (1999).Chest Plaque from Hasanlu, trans. Mahdavi Sadraei, Samad Alion, Ganjine Publication, Organization of Cultural Heritage, Handiwork, and Tourism, West Azerbaijan.
[44] Winter. Ierene. Larsen. M.T, (1976).The Old Assyrian City State and its Colonies. Copenhagen: Copenhagen University.
[45] Wilkinson, Ch.J, (1960).More details on Ziwiye. Iraq, Vol. XXAII: 213- 270.
[46] Wilkinson, Ch., (1963)."Treasure from the Mannaean Land"OB, M.M. A.21, 5, 213-230.
The International Journal of Humanities
