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A Study on the Pictures of the Gods, Deities and Greek Goddesses on Seleucid and Parthian Seals and Seal Impressions Abstract With the fall of the Achaemenid Empire and the arrival of the Greeks in Asia, vast changes occurred in all aspects of life in the countries conquered by Alexander and his successors. These changes can be seen in different shapes in all social, political, cultural, art architecture aspects and even in religious beliefs. Seleucid and Parthian seals and seal expressions clearly show such changes. The mythological and religious pictures include Hellenistic themes such as images of Deities, Gods and Greek Goddesses. The most famous of these designs are Athena, Aphrodite, Zeus, Apollo, Tikkeh (Tikheh), Hermes, Eros, Nike (god of victory) and the god of justice. The samples were taken from centers such as Seleucia on the Tigris , Tel Kedesh, Uruk, Nisa and Saleh Davoude Khuzestan. The presence of these elements on the seals is not identical due to different demographics and the influence of Greek culture. In this paper, the effect of the Greek ideology on belief evolution in conquered territories were comparatively studied by evaluation of seals and seal Impressions. The seals and seal Impressions are historical materials whose pictures can clearly reflect the levels and trends of the changes. Keywords: Seleucid and Parthian periods, Seal and seal Impressions, Greek gods and Goddesses, Hellenism.

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From the middle of the first millennium BC, there witnessed a gradual bilateral relation between Iranians and Greeks. These people to people attachments also resulted in interactive influences between these two cultures and arts. Qualitative and quantitative investigation on these interactions is a basic issue in identifying both cultures. The current paper, among all miscellaneous influences of Hellenism on the culture and the art of the Parthian realm, attempts to analyze only the influences of basics and rules of the Greek aestheticism on the Parthian sculpture and come to a historical conclusion based on an inductive method.               

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From the middle of the first millennium BC, there witnessed a gradual bilateral relation between Iranians and Greeks. These people to people attachments also resulted in interactive influences between these two cultures and arts. Qualitative and quantitative investigation on these interactions is a basic issue in identifying both cultures.
The current paper, among all miscellaneous influences of Hellenism on the culture and the art of the Parthian realm, attempts to analyze only the influences of basics and rules of the Greek aestheticism on the Parthian sculpture and come to a historical conclusion based on an inductive method.
 
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