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World literature is a reaction against unfulfillment and diminished satisfaction hereby national literature to be existed so. The vivid fulfillment is a solid world people and hidden one is a superiority and national excess as a matched hope of aims in this way. A solvtion of result is a coefficency among world literates to be gained by colture instrument beside of language and literature.
Goetheś aspects in this view of world literature is a reaction of thoughts, aims and events through his days of life hence, those are many and much continuously canged. The essay to be fronted is trying to survey these Goetheś aspects towards world literature and his demands fulfilled from world literature as his situation to be matched by borders and know how to be accomplished
 

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Johan Wolfgang von Goethe (1749-1832), a reflective thinker and speaker from Germany, firstly announced the world group of literature words in May 1827. His speech in demand of world literature has become an essence for writing and speaking among those world philosophers who were researchers of literature in that time. There are many gaps to be fulfilled on this subject matter. In the same way, the original demand of his direct willing in making world literature has not been reached to a certain result. At last, the following research on the bases of disputed conversations, biographies (self-writing and others), letters, and his essays could be the sources in the fulfillment of Goethe’s point of view about world literature. It is no doubt that Goethe's point of view and other thinkers and speakers from Germany in the decades of 18th and 19^th centuries could be a means for other nations and countries in the way of gathering world literature considering awareness, sympathy, and preservation of the great combination of world literature basically in relation to Europe and Germany in that time. In the following research, considering a historical creation in the way of comparative literature, the original demand of Goethe about world literature was investigated

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 The problem of the research is that what is the characteristic aspect of Goethe's attitude towards nature and the depiction of nature in the works of German romantic painters? Therefore, the specific aspect of their attitude towards nature is analyzed in a descriptive-comparative way. Goethe, especially in his youth, in addition to the influence he received from Rousseau, Herder and the stormy and stress pre-romantic movement, had a more romantic attitude towards nature, and in general, nature for him, in his poems and some works, means the life of primitive societies, simplicity and untouchedness in front of civilization. (Rousseau), the spontaneity and immediacy of perception of nature of nature related  to people's life and art, is beautiful nature and God, all of which are considered a kind of romantic perception of nature. Although he also defends classicism, Faust seems to be influenced by the visual point of view of romantic artists. This research comes to this conclusion from the study of Friedrich and Runge's attitude towards nature. It is more romantic. Friedrich moved from the conventionalistic symbolism of his early works to a more refined and poetic naturalism based on Goethe's mood and considered the perspective of the subject to nature in his paintings. Despite Goethe's advice, in his short life, Runge showed the romantic concept of "Hieroglyph of Nature" as an essential element of language and culture.

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The European authors and thinkers in classic period and particularly Romantic one were searching the root and basis of European culture and languages. The decoding of Sanskrit emphasized the centrality of the Orient for European culture. Goethe, the famous poet and author of Germany, under the influence of this movement and for his own interest, studied the works of orientalists too. Alltough he never went to the Orient, however, the study and survey of the translation the books by the Orient authors and poets, for him, was spiritual travel to the Orient. Particularly, during the study and survey he acquainted with the poeti-cal works of Hafez which exerted a strong influence on him and thus he created an attractive compilation in German language. The West-östlicher Divan of Goethe is the result of his spiritual travel to the Orient and, in effect, it is a description which joins the two poles of world (East and West). The description of Goethe’s life, his spiritual travel to the east, his acquaintance with Hafez and finally the West-östlicher Divan form the four parts of this ar-ticle.